How to Draw With Pastels
One of the attractions of working with pastels is that there’s nothing stopping you from just
diving in. If you have paper and some pastel sticks you can get started immediately, without needing to learn any
‘correct’ way of doing things. However, once you’ve gotten some practice, you might find the following advice
helpful in taking your art to the next level.
The two most basic drawing techniques in
pastels are the simple linear stroke and the side stroke. The linear stroke, which is just what it sounds
like, is what everyone starts out doing, and it’s really useful for sketching outlines, for hatching and
cross-hatching, and for adding a different color on top of an area of solid color you’ve already put down on
A side stroke involves using the side of a pastel stick to block in
a large area of color. A whole pastel stick is often too big for side stroking, so break one in half first. Side
strokes are effective for putting down a lot of color quickly, which you might want to do especially in the
preliminary stages of a new painting. Press firmly, and you’ll get intense color, while a lighter stroke will allow
more of the underlying surface to show through the pastel.
Drawing fine lines
For really fine lines and details, it’s better to use hard pastels or pastel pencils rather than soft pastels, as
they’re a lot better suited to the job. If for some reason you want to draw fine lines using a soft pastel stick,
consider breaking a piece off of it and sharpening the end of this fragment into a point using a craft knife (NB:
you’ll have to re-sharpen it as you go).
While not strictly necessary, sketching the outline of your
prospective artwork before you commit to it fully is a very good idea. It will allow you to see how well your
composition works, and give you the opportunity to change it if you’re not happy. Sketching can be done freehand,
or if you want precision, lay out a faint grid first, and work according to that. Use either a light colored hard
pastel or just an ordinary graphite pencil.
Consider your surface
Your choice of what to paint on surface is more significant
with pastels than it is with other mediums. Pastels rarely completely cover the surface, so some of the underlying
color and texture of the surface will show through. This means that the surface becomes part of the artwork. The
color of the surface is the most important consideration here. Briefly, it’s usually best to choose a color that
matches or complements the overall color of the painting that you intend to make on it. Plain white is actually
often a poor choice – instead, choose a color that you want as a ‘base coat’, and you’ll get better
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